Hard Drive: 300 MB free space for plugin installation and factory content
Display Resolution: 1280 x 800 minimum (Fully resizable vector GUI from 100% to 200%)
Host Application: 64-bit VST2, VST3, CLAP, or AAX compatible DAW (Ableton Live, FL Studio, Cubase, REAPER, Studio One, Bitwig Studio, Pro Tools)
A dedicated vintage-style drum sampler engineered to capture the sonic warmth, punch, and downsampling character of legendary 80s and 90s hardware samplers within a high-speed, modern in-the-box workflow. TAL-Drum bridges classic hardware tone with contemporary beatmaking features like loop slicing, comprehensive voice grouping, and channel-by-channel mixing.
Flexible 16 or 32-Pad Layout: Choose between a compact 16-pad view or an expanded 32-pad matrix, with drag-and-drop sample assignment across pads.
4 Multi-Layers Per Pad: Layer up to four samples per pad with velocity switching, random round-robin cycling, crossfading, or simultaneous multi-sample playback.
Vintage DAC Resampling Engine: Emulates classic digital-to-analog converter stages—including vintage Akai-style (AK4I), E-mu SP-style Mu-Law companding, customizable bit depth (down to 4-bit), variable sample rates, and clock jitter.
Integrated Loop Slice Editor: Automatic transient and tempo (BPM) detection with slice markers; drag sliced MIDI grooves directly into your DAW timeline.
Internal Direct Audio Recording: Sample directly from external inputs or internal DAW tracks straight into individual pads for on-the-fly resampling and chopping.
Deep Sound Sculpting Per Layer: Every layer features its own multi-mode filter, parametric EQ, spline envelope editor, LFO, and dual AHDSR modulation envelopes.
Expanded Mixing & Voice Architecture: 32 choke/voice groups and up to 16 separate stereo output busses for dedicated channel processing in the DAW mixer.
Pad Matrix Configuration:
16 or 32 pad grid view with customizable color coding, naming, and mute/solo controls.
Velocity Split: Dynamically trigger different samples (soft, medium, hard, ghost hits) depending on incoming MIDI velocity.
Round-Robin: Alternate takes seamlessly on repetitive hits (hi-hats, snare rolls) to avoid the machine-gun effect.
Random Mode: Randomly select from assigned layers for organic variation.
Layer Stack: Layer multiple elements (e.g., sub thud + acoustic transient + vinyl click) on a single strike.
Loop Slicing & Groove Export:
Visual waveform display with zoom, start/end marker editing, reverse playback, and loop crossfades.
Transient detection with threshold sensitivity adjustment for slicing drum breaks.
Direct MIDI drag-and-drop export to transfer the sliced groove pattern to DAW arrangement tracks.
Hardware Emulation Modes:
AK4I Mode: Captures the warm, punchy character and antialiasing filter curves of vintage Akai S-series hardware samplers (S900, S950, S1000).
Mu-Law Companding: Emulates the non-linear dynamic expansion and compression used in early 8-bit/12-bit digital hardware (e.g., E-mu SP-1200), accentuating punchy mid-range transients and gritty noise tails.
Linear Downsampling: Direct sample-rate reduction from 48 kHz down to legacy rates (e.g., 22.05 kHz, 12 kHz, 8 kHz).
Bit Depth Reduction: Adjustable bit quantizer (16-bit down to 4-bit) with selectable dither noise.
Clock Jitter & Artifacts: Simulates subtle vintage digital clock instability and phase modulation for authentic retro texture.
Multi-Mode Filter Section:
Clean digital and modeled analog filter modes (12dB / 24dB Low-Pass, High-Pass, Band-Pass, Notch).
Resonance drive and filter keytracking.
Equalization & Dynamics:
Parametric EQ per layer for surgical frequency cleanup.
Onboard master compressor, saturation drive, and transient shaper.
Modulation Generators:
Freeform Spline Envelope: Draw custom curve shapes for pitch drops, volume swells, or filter sweeps.
Dual AHDSR Envelopes: Dedicated Attack-Hold-Decay-Sustain-Release envelopes per layer.
Syncable LFO: Sine, triangle, saw, square, and random waveforms assignable to pitch, filter cutoff, or pan.
Voice Groups & Outputs:
32 Voice / Choke Groups: Configure open and closed hi-hats, muting groups, and polyphony limits per pad (Mono, Poly, Poly Legato).
Up to 16 Stereo Outputs: Route pads individually to auxiliary channels in your DAW mixer.